Inner Cinema

The language of film sound in six parts: tension, accent and anticipation, using silence, space and distance, transitions and, finally, your own scene in the Listening room. Events are sparse and each one is announced. There is no claim of any effect.

Why this order? The first stage is tension: a dark cluster tightens, an endless staircase rises, risers reach their peak and are released with a downlifter; then the difference between an unannounced hit and a prepared accent. The second stage is space and silence: the same hit first after a lowered bed, then without; the same hit near and far. The third stage is editing: a quick and a slow transition between three scenes, and finally a part where all the tools meet in one scene and which opens in the Listening room. At most eight events in a session, at least twenty seconds apart.

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